The sky was the deepest indigo blue. The stars were so close, I was looking out, not up to them. I was in Hell’s Gate National Park in Kenya as a guest of the Maasai community. That night I reflected on the events of the day – the shared meal, the beautiful Maasai cave where I was to sleep, the stars, the stories, the welcoming warmth of the village – it all led to a love affair, I fell in love with the Maasai.
I spent the last two weeks of November 2013 at the Olorgesailie archeological museum site in the South Rift Valley, part of the Maasai ancestral homeland, where the Olorgesailie Maasai Women’s Group (OMHA) meet every day to sell their beautiful beadwork. The proceeds from these sales support their families. However, due to the remote location they have very few guests and even fewer sales. For many no sales means no food that day.
Our first design meeting began with giggling. I had brought my laptop so they could see all of the Maasai-inspired designs of recent years, from Dior to Louis Vuitton and Givenchy to Pucci. Big fashion brands invoking the magic of the Maasai. Due to the reflection of the volcanic ash and hot sun, we could not see the image on the screen, so we decided to have our first meeting in one of the traditional manyattas (a Maasai home). We all crushed into this dark tiny space, I sat on the fire pit and we went through the images. As I scrolled through them they would point and say, “Maasai, Narok, Mara…”
Back in the shop area I taped pieces of paper with outlines of some design ideas on the tables. I placed a variety of colored pencils on the table and said, “Okay, ladies go for it!” The only woman in the group who spoke English was Elizabeth Kilakoi. She laughed with the other women, then explained: “Most of them have never gone to school, have never held a pencil. They have never written anything or drawn, this is very new to them.”
At first they all huddled over one sketch drawing together all at once. Then as one person would get an idea of her own she would move to a new sheet of paper. By day’s end we had 20 design sketches. The second day, another new set of designs. By the end of our time together we had run out of paper. The women are so creative that the original collection in my head completely morphed and evolved into something entirely more interesting, stronger. A true collaboration.
Our goal is to create a capsule collection, the OMHA-Idia’Dega collaboration called Tomon, which means 10 in the Maa language. This 10-piece sustainable apparel collection for women and men was inspired, designed and developed in full collaboration with the Maasai women.
When I asked the women what they would do with a steady income they said, “Have easier access to water, money to pay for their children to go to school, buying housing material for stronger homes (most live in wood and mud huts) and being able to have food every day.”
It was the most humbling and happiest moment of my life.
To learn more about the OMHA-Idia’Dega collaboration, visit the blog: http://idiadega.blogspot.com/2013/12/omwa-idiadega-whats-it-all-about.html or Facebook page at https://www.facebook.com/pages/IdiaDega-Elegant-Ethical-Apparel/181025701975268. And to help support the project you can view and purchase images from the Olorgesailie Maasai Cultural Heritage Festival at http://idiadega.shootproof.com/event/363061/view#a_all-mason.
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